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Theodor Bastard "Vetvi" (vinyl LP) - buy now!

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Theodor Bastard - Music For The Empty Spaces

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Fulldozer Records

Theodor Bastard - Vetvi [vinyl LP]

THEODOR BASTARD "VETVI" VINYL LP - RELEASE DATE: 28.10.2016

Fulldozer Artists

THEODOR BASTARD
BROMPTON'S COCKTAIL
PORCH NAP
KROVJ S MOLOKOM
DETI SOLNCA
ID MOLOTOV
MORELOCKS

I/DEX
SEQSEXTEND

Nexsound (Ukraine), 2003 | ns18

CD. 10 | Buy

I/DEX. SEQSEXTEND

out of stock!

Listen:
"Texture"
"Oxid"
"Evox"

I/DEX, the musician from Belarus, creates the most pleasing audio environment for you to exist in while you walk down city streets, ride buses, do chores. This music is perfect both for home and work. I/DEX puts rose-colored spectacles on you, and you begin to see the world that surrounds you as much more beautiful and romantic. Set a musical ring tone for your cellphone and ask your friends to call you while you ride bus or train to work, invite fellows to join you when you listen to this music in your car, turn the volume up! I/DEX music is for people!

Definitiv eins der schonsten Nexsound Releases diese neue Platte von I/DEX. Sehr ruhige knisternde Stucke mit melodischen Basslines und einer Stimmung die einem wie ein warmer Wind entgegenblast und einem den Tag versusst. Das Info empfiehlt einem in bester Easy Listening Manier daraus Klingeltone zu machen und es Laut uber die Autoanlage zu blasten. Skurril aber gerecht, denn die Platte ist einfach magisch. Von Anfang bis Ende. Eine der schonsten clickenden Welten des Jahres in die man sich am liebsten wie in ein Federbett einwickeln mochte. bleed *****
de:bug

I/DEX is one Vitaly Harmash operating out of Belarus and here he offers up a collection of different styles of contemporary electronica from clicks n cuts, dub & idm. His goal here is one of creating mood music for your home or work, a little something to brighten your mood. As background music it works really well, as Harmash displays adroitness in arranging hiss, static, beats into pleasant compositions. The opening track is one of my favorites, a walking bass line coupled with static noise textures. The fourth track entitle .DOC is a droning loop that I wish was longer than just three minutes. While listening to this cd I lost my sense of time, to the point that I felt the cd was going on for way too long. Perhaps its because there are no silences between tracks and Harmash succeeds in transporting the listener into a different time. (JS)
Vital Weekly

That Seqsextend begins with a track entitled "Texture" is entirely apt, as this recording is swathed in billowing, gaseous layers. On that opener, a descending bass line motif can be glimpsed beating underneath the dense, cycling clouds of hiss, hum, and crackle but just barely. I/DEX is one Vitaly Harmash from Byelorussia, and Seqsextend is his debut on Nexsound, a Ukrainian label that's previously released material by Muslimgauze, Francisco Lopez, and Kim Cascone. Harmash is no novice, however, having recorded since 1997, and he clearly knows his way around this particular IDM territory. Song titles are perfunctory at best and suggest a kinship with Arovane and Autechre who share a similar penchant for cryptic, abstract titles. But the similarities don't end there, as Harmarsh's debt to Uwe Zahn (aka Arovane) especially goes deeper than titles, judging by the music. "Rand" and "Ciq," for example, are textbook Arovane, with glistening keyboards, ambient textures, and clicking beats serving melancholy melodies and dreamy atmospheres. The addition of an Eno-like squiggle in "Rand" does, however, differentiate the song from its otherwise pure incarnation of the Arovane style. Other songs pursue more propulsive ends. On "Recor," Harmash deploys surging waves as propulsive complements to his house-flavoured techno rhythms, the resonant, burbling keyboards channeling gorgeous strains of classic Chain Reaction. Seqsextend is enhanced by Harmash's decision to leave no gaps between tracks, resulting in a seamless one-hour set of thirteen tracks. Doing so gives the recording a stronger fluidity and cumulative impact it would have lacked had the tracks been presented separately. The recording's also deceptive in that-like Arovane's music-its quieter, ambient leanings camouflage the accomplished but subtle detailing that Harmash creates throughout. On the down side, as expertly crafted as it is, Seqsextend is hardly innovative, as it advances little upon a style established by others. (Grooves Magazine, Issue 13)





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