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Theodor Bastard "Vetvi" (vinyl LP) - buy now!

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Theodor Bastard - Music For The Empty Spaces

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Fulldozer Records

Theodor Bastard - Vetvi [vinyl LP]

THEODOR BASTARD "VETVI" VINYL LP - RELEASE DATE: 28.10.2016

Fulldozer Artists

THEODOR BASTARD
BROMPTON'S COCKTAIL
PORCH NAP
KROVJ S MOLOKOM
DETI SOLNCA
ID MOLOTOV
MORELOCKS

EVEREST
HEIMLICH MANEUVER

Everestrecords (Switzerland), 2004 | er_cd_009

CD. 12 | Buy

EVEREST. HEIMLICH MANEUVER

out of stock!

Listen:
"Ro3"
"Falke"
"Hakker Theme"

This long-play-CD contains 12 tracks of ambient-driven electronic music, with a distinctive love for organic sounds.

The two Swiss producers Matu and Meienberg have here an album produced, which seems to be obviously to the Bergbesteiger among you cut perhaps somewhat, finally however somewhere between digital BREAK and ice-cold melodies hang, which already times into a gespenstische tremble yourself, a water drop or evenly a Funklick to transform to be able. Very well in schwebe productions held between unusual ambienten sounds, compressed kickenden and nevertheless complex designed Beats and sometimes a something to pathetisch becoming tendency. If they take however the cold weather of the mountain summits as model, then the tracks are simply impressing.
DE:BUG / november 2004

The Mr. Matu and Meienberg draw back to the second impact and again on their own label. Is amazingly that it gave so far still no arguments with the German Emo Poppern of same name, but sometimes is like that which even well to be. On their new album "Heimlich Maneuver" look for two Swiss again the perfect symbiosis from electronica, ambient, avant-garde and purify popsensibilitaeten, which convert themselves still more compellingly and more urgently than on their succeeded EP. The sound carpets and atmospheres are still more closely and more multilayered knitted and above all the dark and nearly dark sides step on the album still more strongly into the foreground, which stands for Everest very well to face and one feels reminded of completely large names sometimes. Because so singularly the sound is not in principle, but certainly very well and interesting made. Thus Matu and Meienberg never purge into too shallow or stupide Beatknueppelei or get involved in flat esoterische sound painting. One should sound oneself the plate already very exactly, because there are many details and interesting little things, which one does not recognize surely when superficial hearing to discover. Everest want to have the entire attention and that are also correctly in such a way and these them also nearly the whole plate over certainly earned. Perhaps one could refer still more strongly acoustic instrumentings in the future, which extend the sound cosmos of Everest still times and would enrich. But so far Swiss can a clear point victory book and leave strained for new material to hope.
music-scan / august 2004





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